The Kandi Factory

Season

2013

5.9

Follows The Real Housewives of Atlanta star and multi-platinum songwriter, Kandi Burruss, as she transforms two music hopefuls into the next big popstar.

Episode List

S1 • E1

Get Your Game Face On

In the premiere episode, Kandi takes on Lauryn, a 21-year-old college student who wants to break through the barriers of country music and Darian, a 27-year-old dance instructor.

S1 • E2

Booty's Tight, Timing's Right

Kandi and her team try to break down cultural barriers when they meet Mujjy, a 26-year-old Afghani-American hairdresser from New York. Mujjy shows up to "The Kandi Factory" thinking she will impress the team with her sexy swagger, but the pressure mounts as she tries to overcome her conservative cultural upbringing. Her counterpoint, Matthew Cash, is a 26-year-old rapper from Chicago that is loaded with talent. He immediately wows Kandi with his clever writing skills, but his lack of stage experience becomes a major stumbling block.

S1 • E3

The Freak Factory

Kandi and her team take on the seemingly mild Logan, a 21-year-old baker from Utah, but are shocked when he shows up to "The Kandi Factory" as his goth-rocking alter ego "Sweet Tooth." They have their work cut out for them, as they try to turn this shock-rocker into a marketable artist. Facing off against Logan is Harmik, a 27-year-old Iranian from Los Angeles whose over-the-top personality is matched only by his unforgettable mustache. Harmik wants to break out as the first mainstream gay rapper.

S1 • E4

Hoodwinked, Bamboozled, and Ambushed

There's a meltdown at the Factory this week, as the team brings Lizzy, a talented 22-year-old singer / songwriter full of potential but with a dark, painful relationship with her mother. Kandi pushes Lizzy to the limit to face her pain and channel it into an emotional ballad. Up against Lizzy is Brandon, a 23-year-old Disney parade performer. Tempers erupt in the studio when Don Vito pushes Selasi's buttons too far, causing a huge blowout. Phaedra Parks makes a special appearance to help mediate the dispute and whip the team into shape.

S1 • E5

Jump Ya Bones

This week Kandi's team takes on Garrison, a 42-year-old administrator with rock star dreams. But, Garrison's aspirations become her nightmare as she is forced to confront her deep-seated fears about sexuality when Kandi writes her a pop anthem titled "The Mighty O." Facing off against Garrison is Kevin, a successful 28-year-old lawyer, eager to become the next R&B sensation. However, Kandi is not fully sold on his swag, and tries to teach him how to "woo" the ladies. American Idol winner Ruben Studdard joins for a special guest appearance.

S1 • E6

Anything? Anything!

Both protégé's stories hit close to home for Kandi this week. In her most emotional challenge yet, she mentors Cory, a talented 18-year-old theater geek who suffers from Autism, Tourette's syndrome, ADD and OCD. Cory is determined to overcome the odds, prove everyone wrong and launch a music career with his soaring vocals. Up against Cory is Kristin, a stunning 25-year-old who is trying to fulfill her lifelong promise she made to her brother to pursue her musical dreams. She decides to channel the pain into a heartbreaking ballad called "If You Were Here." Will Kristin be able to deliver the emotional performance the song deserves?

S1 • E7

Say Yes or Shut It Down

This week the team meets Terrence, a larger-than-life 30-year-old who plans to propose to his girlfriend on stage during his showcase. Will his unreliable vocals make the performance fall apart and ruin this special moment? Jennifer Chianesi is a spunky 23-year-old who attended a prestigious musical school and has dreams of becoming a rapper, but her image in complete disarray.

S1 • E8

Hit It and Repeat

On the season finale of "The Kandi Factory," the team takes on Tasha, a seasoned rock n' roll veteran, who's attempting a comeback to save her home from foreclosure. Her competition is Bryan, a 25-year-old country singer from Louisiana who rebels when Kandi writes him a song that he feels is too mainstream.